Wit Incorporated is a vibrant and inclusive professional theatre community championing diverse and engaging work that inspires artists and audiences alike.
Our mission is to forge artistic connections in Melbourne's West by sharing stories that are culturally rich and representative of humankind as a whole.
The company began in Footscray in 2014, by Jennifer Piper and Belinda Campbell, from a desire to enrich and contribute to the arts in Melbourne’s inner-west and foster a culture of theatre-going within the community.
In 2020, after years of hard work establishing Wit Incorporated, Jennifer and Belinda handed over leadership of the company to Lansy Feng and El Boydell.
The same year, Wit Incorporated became a City of Maribyrnong Triennial Arts Partner.
In 2022, a few new members joined the company. Our team is currently lead by Lansy Feng, Emma Drysdale, Madeleine Magee Carr and Silvia Shao.
Wit Incorporated values inclusivity, joy, bravery, sustainability and respect.
We run a series of programs, including our Sundays Creative Workshops and Wit Kids children's drama classes.
Management
Wit Incorporated is run by:
Lansy Feng, Artistic Director
Madeleine Magee Carr, Communications Manager
Emma Drysdale, Development Manager
Silvia Shao, Finance Manager
Our current Committee is Emily O’Brien-Brown (Chair), Emma Drysdale (Secretary), Jarman Oakley (Treasurer), Reis Low, Yang Xiao, Jessica Orrey, Martin McNally and Catherine Cotching
Company Members 2026
Emma is a British actor and director trained at Central School of Speech and Drama. She has been living “down under” since 2018. Credits in London include: the Olivier award-winning 'Goodnight Mr Tom' (West End/UK Tour) 'That Face' (Tara Arts Theatre) ‘BBC Prom 19: Sondheim at 80’ (Royal Albert Hall) Credits in Melbourne include: ‘The Beautiful Game’ (Chapel Off Chapel) , 'Red Hollywood' (MC Showroom) Midsumma hit 'Eyes Wide Woke' (Bitten By Productions) Film & VO include: 'Perfection' which won Best Comedy - Melbourne Short Film Festival '22, radio play 'The Lucas Betrayal' and voicing the Sprinkle Fairy in 'Big Words, Small Stories' an animation series for ABC Kids.
Lansy Feng is a Taiwanese-Australian actor, singer, writer, and theatre-maker based in Melbourne. A Green Room Award nominee for Leading Role in Independant Musical Thetare (Hidden Tunes by Small Ripple Theatre), she trained at the National Theatre Drama School and the Howard Fine Acting Studio. Alongside numerous theatre and screen credits, Lansy creates multilingual works that celebrate cultural identity, including her acclaimed solo cabaret How I Met My Dead Husband and the original play Dear Mama, There’s Something Maybe I Should Tell You. She is thrilled to present the bold and provocative Revolt. She Said. Revolt Again with this wonderful team.
Madeleine graduated in 2018 with a dip. in Musical Theatre from The Royal Central School of Speech and Drama in London. She joined Wit Incorporated in 2020, running their Wit Kids drama program and as a company member. With Wit, she has previously played Meg in ‘Every Second’ (dir. Emma Drysdale, 2021), Hen in ‘Bleached’ by Laura Collins (dir. Ruby Rees, 2023) and Rdeca in ‘First Love is the Revolution’ by Rita Kalnejais (dir. Emma Drysdale, 2024). She was awarded best actress at Canberra Short Film Festival (2021) for her performance as Jacquie in multi award winning ‘This River’ (dir. Naomi Fryer) which can be streamed on ABC iview. She can currently be seen on the festival circuit in ‘Hold Still’ by Emily Dynes, which won ‘Best Short Film’ at MQFF.
Jessica is a theatre lover from the UK now residing in Seddon. Jessica leads a busy life working as a project manager for a global Fintech business, as well as walking her cavoodle Barney, exploring the Western Suburbs and volunteering for Wit Incorporated with their marketing and social media.
Emily O’Brien-Brown’s recent directing work includes FLICK (La Mama, Adelaide Fringe, Latitude Festival, Edinburgh Fringe, Aus Theatre Fest NYC), Heroes of the Fourth Turning (Red Stitch Actors Theatre), Donor (Melbourne Fringe), Everybody and Constellations (National Theatre Drama School). She has also directed Cowboy Mouth (Exhibit A Theatre), Proof (Artefact Theatre), and Second Son (co-directed with Alkinos Tsilimidos, Cinespace)—as well as two Red Stitch PLAYlist productions, in collaboration with playwright Vidya Rajan.
For a decade, Emily built and led arts education events and assisted renowned international directors and acting coaches—including Ian Rickson, Amy Morton, Larry Moss, Elizabeth Kemp, and Carol Rosenfeld—experiences that continue to shape her storytelling and actor-driven approach.
Emily is thrilled to bring her vision and experience to Wit Inc.’s production of Alice Birch’s bold manifesto Revolt. She Said. Revolt Again., a project that resonates deeply with her commitment to risk-taking and ensemble-driven work.
Silvia Shao is a set and costume designer with a passion for conceptual and abstract art, always eager to explore new creative possibilities. She completed a Master of Design for Performance at the Victorian College of the Arts in 2022, the same year she made her professional debut with set and costume design for Caught (Red Stitch Actors’ Theatre). Her most recent work includes the set design for MSC’s Romeo & Juliet.
Though formally trained in set and costume design, Silvia thrives on collaboration across disciplines. She believes there is no boundary to what she can do, either as a ‘designer’ or as a ‘human’, an ideology carrier. Silvia is proud to be a 2025–2026 Melbourne Theatre Company Future Creative.
Jarman is an all-round sound and lighting technician and performer and longtime designer of Wit Inc so it was a no brainer to be a part of the show as their lighting designer. Jarman has worked on this year's “Berlin” production, Wit incorporated 2022’s “Dear Mama there is something I should tell you” and “I ME SHE HIM” as sound designer, 2023’s “Bleached” as co-stage manager and technical manager and 2024’s “First Love is the Revoluton” as lighting designer. Other design works include lighting design and production coordinator for Romi Kupfer’s “Flesh Disease”, We Are Quiet Roar’s exploration season of “The Devil Doth Preach” and Next Tuesday Theatre’s “You’re No Good”. When not doing theatre, Jarman is off mixing bands, DJing graduation ceremonies and playing music with his friends. Jarman loves to live in the creative spaces of all things theatrical, looking for his next big project!

Reis Low is an emerging arts manager and maker with a background in theatre and dance. They are a member of the Dirty Laundry Collective, and Support Artist to Union House Theatre’s current project, The Switch. Reis' recent management credits include producing/stage managing Union House Theatre’s Explorations (La Mama 2019), co-stage managing La Nonna (Melbourne Fringe 2019), and producing/managing The Good Person Recipe (Melbourne Fringe 2018). In 2019, Reis interned at La Mama, founded University of Melbourne’s physical theatre group Floor Work, facilitated movement workshops at the George Paton Gallery, and won Mudfest's Movement Award for their first solo performance Calibrate. Last year, they created digital work White Shirt Experiments (Union House Theatre and Dirty Laundry Collective), directed physical theatre short film Facet (Floor Work), and graduated with a Bachelor of Arts from the University of Melbourne.