HOW I MET MY DEAD HUSBAND
by Lansy Feng
When a determined woman chases true love, even Buddha can't stop her.
Chuen-Jiau is ready to give the eulogy for her husband Yueh, in the presence of family, friends and loved ones.
Things get a bit surprising when she starts telling the story of their life together, the life before that one, the life before that one, and the life before that. This is not your average love story.
It's a cabaret funeral that'll take you on a reincarnating journey of love, confusion and hope.
If this is love, be brave to stay before you turn and hide.
“How I Met My Dead Husband is a crucible of laughter, tears and sickly sweetness...”
- Milk Bar Mag
Performed in English, with songs in English, French and Mandarin.
Contains mention of death and coarse language.
Duration: approximately 60 minutes
Writer/Performer: Lansy Feng
Director: Belinda Campbell
Lighting Designer: Jennifer Piper
Set Designer: Abbey Stanway
Costume Designer: Georgina Hanley
Graphic Designer: Jennifer Piper
Photographer: Jack Dixon-Gunn
Produced by wit incorporated
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Lansy is an actor, writer, story-telling singer, and theatre-maker. She graduated from National Theatre Drama School in 2016 and Howard Fine Acting Studio’s Full Time Program in 2017.
In 2018, she created the one-woman cabaret “How I Met My Dead Husband” and performed it at The Butterfly Club and again at Gasworks Arts Park as part of Melbourne Fringe Festival. The same year she performed in several productions including musicals “On My Way” (Western Arts Theatre) and “Fanciful Imaginings” (Musicworx), theatre production “Ophelia Thinks Harder” (Wit Incorporated) and short film “Origin”. She has worked with Two Door Pictures and Talk EZ for web-ads, and Flying Art Films for music video.
In 2019, she co-produced and performed in “Westerly” at The Butterfly Club.
Lansy has performed across Taiwan as a percussionist with Phonon Music. She also designed and created a mosaic mural for Goodstart Minifie Park Early Learning Centre.
Lansy joined Wit Incorporated as a Company Member and Secretary in 2018, and is thrilled to be presenting a new development of “How I Met My Dead Husband.”
Belinda is an actor, writer, director and drama teacher. Trained at National Academy of Singing and Dramatic Art (NASDA) in Christchurch, New Zealand. Her studies have included: extensive training in Speech and Drama from Trinity College London, the Alexander Technique, screen acting, singing and dance.
In 2014 she co-founded wit incorporated, based in Melbourne's inner west. She remains our Artistic Director and, as well as performing and directing in the company, runs our children's drama program, Wit Kids.
For wit incorporated, she has directed Couch Potato, A Scandal in the Weimar and Ophelia Thinks Harder.
Her writing has been performed in Melbourne International Comedy Festival and Melbourne Fringe Festival. Her plays Fairy Tale News and A Hero’s Guide to Saving the Planet have since been published by Australian Plays.
Wit Incorporated was formed in 2014 by Company Manager Jennifer Piper and Artistic Director Belinda Campbell, and has enjoyed artistic and creative residencies at Bluestone Church Arts Space since 2016.
Known for creating great theatre, that inspires change, Wit Incorporated is particularly committed to representation and access, regardless of gender, sexuality, cultural or linguistic background and disability. In 2019, the team declared a commitment to safe working environments, including mental health, cultural awareness and physical safety.
The company is a proud member of Theatre Network Australia and the operational team are all proud members of Equity, the actor’s union.
Wit Incorporated performs only at wheelchair-accessible spaces. Every full-length season includes Auslan interpreted shows and relaxed performances, and are stim-and tic-friendly.
The current management team is Belinda Campbell, Jennifer Piper and Lansy Feng.